From 'Vaishali' to 'Mouna Ragam': When rain became a character in films
Filmmakers worldwide have masterfully employed rain, not just as a backdrop, but as a potent narrative device. South Indian cinema, in particular, imbues rain with profound meaning. From the drought-breaking deluge in 'Vaishali' to the emotional downpour mirroring characters' struggles in 'Perumazhakalam,' and the romantic showers in Mani Ratnam's 'Alaipayuthey' and 'Mouna Ragam,' rain consistently amplifies cinematic storytelling.
Filmmakers worldwide have masterfully employed rain, not just as a backdrop, but as a potent narrative device. South Indian cinema, in particular, imbues rain with profound meaning. From the drought-breaking deluge in 'Vaishali' to the emotional downpour mirroring characters' struggles in 'Perumazhakalam,' and the romantic showers in Mani Ratnam's 'Alaipayuthey' and 'Mouna Ragam,' rain consistently amplifies cinematic storytelling.
